Time to Hunt Subtitle Eswatini
Time to Hunt
In the near future, a financial crisis will hit Korea and slums arise. From those areas, a group of young people commit crime to survive.
In the dystopian South Korea, Jun Seok gets out of prison for a previous heist he and his friends had messed up, and the currency (the Korean won) has crashed massively, making the haul of their last job effectively worthless. Jun Seok proposes one last heist to his best friends Jang Ho and Ki Hoon, in order for the trio to escape from their miserable situations. Their target is an illegal gambling house, which stores hefty stacks of US dollars. The trio recruits Sang Soo, who currently works in the gambling house. After getting firearms from Bong Shik, a friend Jun Seok knew in prison, the quartet proceeds with the heist, which finishes messy but successful. They take a large sum of cash and the gambling house's surveillance hard drives, which contain footage of shady dealings between the gambling house's owners and various criminals. The loss of the surveillance hard drives made the gambling house's owners unhappy. They recruit killer Han to track the quartet and retrieve the hard ...
User Review
The first scene of 'Time to Hunt' is interesting. The camera walk is unique. When the film starts, in the dark, we can listen to the conversation between Jang-ho' and 'Ki-hoon'. Then, the screen brightens and shows two friends talking. At first, It looks like an objective shot, which is commonly used. However, as soon as the two characters step outside the convenience store, the camera makes a unique move. The camera stops following the two and looks around as if a living person is looking around the world. In other words, this scene appears to be someone's point-of-view shot. I think the first scene is the moment when someone wakes up. We can guess whose view point it is. Naturally, it's the view point off 'Jun-seok' who is just coming out of prison, because he is the main character and he leads the story. In addition, it can also be seen as the eyes of the audience.